CITY RHYTHM is the newsletter of the CITY CHAMBER ORCHESTRA of Hong Kong (CCOHK) sent to Friends of the orchestra.

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Dear Friends of the CCOHK,
We are pleased to launch the NINTH issue of CITY RHYTHM.

Contents of This Issue

A. Coming Events
In January the CCOHK will present an all-Vivaldi concert at St. John's Cathedral to benefit orphaned children.

B. Spotlight
Interview with Mr. Gilbert Sak, principal second violinist of the CCOHK.

C. Sounding Board
Audience feedback from our "The Snowman and the Bear" concert with conductor Anthony Inglis, story-teller Jim Chim, boy soprano Gabriel Ma and girl soprano Fiona Chan.

D. Artist Scoop
Artists featured in this issue: violinist Lorenzo Colitto.

E. Music Amuses
Did you know that Vivaldi was born during an earthquake?

F. CD Corner
Recommended CDs : Two top-class Vivaldi CDs featuring our guest artists.

G. Quiz
Answer the quiz and win FREE concert tickets to our January concert.


Enjoy the newsletter now !

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A. Coming Events

***** VENETIAN DELIGHTS *****

Date : 15 and 16 January 2004 (Thursday and Friday)
Time : 8 p.m. for Thursday ***** 8:15 p.m. for Friday
Venue : St. John's Cathedral, 35 Garden Road, Central

Starring

Violin / Guest Concertmaster : Lorenzo Colitto
Recorder : Richard Harvey
Soprano : Tessa Miller
Violin : Chiu-tan Lee

Programme Details

This concert features the most dazzling concertos Vivaldi composed for orphaned girls in eighteenth-century Venice. Benefits go to Mother's Love, a charitable organization affiliated with Mother's Choice which serves orphaned children in China today.

Programme includes:

Concerto for Strings in D minor RV 243 & G minor RV 157
Concerto for Treble Recorder in C minor RV 441
Concerto for Violin in A minor Op. 3, No. 6
Nulla in mundo pax sincera (Motet for Soprano & Strings)
Concerto for Two Violins in D minor RV 565
Concerto for Flautino in C major RV 443

Ticket Information
15 January 2004 (Thursday) ----- $ 250 & $ 150
16 January 2004 (Friday) ----- $ 650 & $ 350 ***

*** Includes refreshments after the performance with proceeds to Mother's Love

Students and senior citizens can enjoy a 50% discount

Available at all HK TICKETING outlets

Booking Hotline : 31 288 288

Internet Booking : http://www.hkticketing.com/

Programme Enquiries : 2857 2402 OR info@ccohk.com

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B. Spotlight

Interview with Mr. Gilbert Sak, principal second violinist of the CCOHK.

Where are you from and how long have you been in Hong Kong?
I was born and brought up in Hong Kong. After finishing form five in secondary school, I went abroad to study music and pursue my music career. After being away for fourteen years I returned to Hong Kong in 2000.

How did you become interested in music whilst growing up in Hong Kong?
I did not start the violin as early as many children do nowadays, but I believe my beginning was some sort of fateful call. When I was in primary two, the school that I attended - St. Paul's Co-educational College - introduced instrumental classes as an extra-curricular activity. Among the many musical instruments we could choose from, my attention was inexplicably fixed on the violin. I do not even remember if I had heard the sound of this instrument before I pressed my mother to let me learn it. After I learned the violin in classes for about two months, my teacher urged my mother to let me take individual lessons with him. This teacher, who was my first mentor, instilled in me a great interest in the violin. In subsequent years I won a few solo prizes in the annual Hong Kong Schools Music Festivals which helped to boost my confiden ce and further reinforce my aspiration to become a professional musician.

How important is it in your opinion for a musician to study abroad?
It is not absolutely essential for one to study abroad in order to become a good musician since there are already many good musicians and teachers based in Hong Kong. That said, it is undoubtedly very beneficial and useful for a student to acquire overseas experience. Music is both an international language and an international career. This is evident from the fact that many musicians are not based in their home countries but abroad. Hence it is important for a music student to gain some cosmopolitan background and vision, for one never knows where one will end up professionally in the future. Besides, classical music is essentially a western art; so it is also extremely crucial for one to get a taste of tradition. I have studied in Germany, England and the United States and have also worked as a professional musician in Singapore and Malaysia. This international exposure has enriched my cultural life and musical outlook. I was also fortunate to have studied with great violin masters such as Yfrah Neaman, who is the only living protege of Carl Flesch.

What do you enjoy most about playing in the CCOHK?
I used to play in large symphony orchestras, but now I enjoy the chamber setting and intimate repertoire provided by the CCOHK. I also like the CCOHK's diverse programming and its engagement of a different guest conductor for every concert. This helps to broaden the experience of the orchestral members.

Which CCOHK guest artist has made the biggest impression on you?
The violinist Rainer Honeck, one of the concertmasters of the Vienna Philharmonic Orchestra.

Which CCOHK concert has been the most memorable for you?
There have been quite a few unforgettable concerts. Acting out of self-interest I would have to say it is the "Baroque by Candlelight " concert in which I teamed up with Katrina Ma to play Bach's Double Violin Concerto.

You were once a producer / presenter on Radio 4 of RTHK. How did that come about?
Ha - that was a little detour in my music career. I was offered the job when I was about to conclude my contract with the Malaysian Philharmonic Orchestra. At the time I was somewhat burnt out by full-time orchestral playing, and I was not completely happy with the work environment there. I also felt it was time for me to come back to Hong Kong after all those years of "roving". Hence I decided to venture into a new domain for a change. The experience at Radio 4 turned out to be fun and rewarding. As a matter of fact, the very first guest on one of my programmes entitled "My Ideal Concert" was Leanne Nicholls, the founder of the CCOHK. Although I am no longer a regular host on Radio 4, you can still hear me on air occasionally since I make guest appearances as a music critic.

Name one of the most important milestones in your music career.
Obtaining my first full-time orchestral job as Principal Second Violin in the Kalamazoo Symphony Orchestra - a regional orchestra in Michigan in the United States. The music director then was the late Yoshimi Takeda, who was an inspiring conductor. It was a great joy to work with him. In addition, I was a founding member of the resident string quartet there. For two years the quartet rehearsed intensively and gave quite a number of concerts. We also had the opportunity to collaborate with distinguished artists such as pianist Adam Nieman and the Shanghai String Quartet and were coached by members of the Guarneri Quartet and the Orion String Quartet. Playing in a good string quartet, in which members get along well, is a very gratifying experience that I cherish and is something which I look forward to again.

What are your hobbies besides playing the violin?
Well, I do have a wide spectrum of interests but unfortunately I have very little time for them! For one thing, I like learning foreign languages. However this is something that takes time and persistence. If you do not use the language, you will soon lose it. I tried to pick up French a few times but did not keep it up, so I have never been good at it. I also enjoy playing ping-pong, the only sport that I still play decently. In addition, although I consider myself a classical musician, I also enjoy popular music. In fact I go to karaokes once in a blue moon to sing Cantonese pop songs. Last but not least, I have recently developed an interest in collecting vintage wristwatches.

What message do you have for our friends?
Attending our concerts is one way to expose yourselves to multicultural arts and to the magic of international artists. We need your support so that we can continue to present adventurous programmes.

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C. Sounding Board

Friends who attend our concerts and are successful in having their comments published will win TWO FREE TICKETS to one of our future concerts.

The choice of pieces and the arrangement were both excellent and unique. A fabulous performance!
---------- Ms. Yim (Pok Fu Lam)

In this issue we are pleased to share with you COMMENTS FROM OUR AUDIENCE MEMBERS who attended our "The Snowman and the Bear " concert on 14 December 2003. Thanks to your support, the concert was a sell-out.

Here are comments from some of the audience members:

The pairing in this performance was very innovative. Live music played by the CCOHK and vivid, ardent narration by Mr. Jim Chim combined to make the performance a tremendous success. Adults and children alike were completely immersed in every episode of the story. I hope that, in future, there will be more shows featuring the combination of different media.
---------- Miss Kwok ( Tuen Mun )

The narration by Jim Chim was really captivating. Coupled with the wonderful, live performance by the chamber orchestra, every detail came to life and left a lasting impression on me.
---------- Mr. Tang ( Tuen Mun )

Full house. Bustling atmosphere. The little girl's singing resembled the voice of an angel. The story was engaging. Very good.
---------- Ms. Hui ( Tseung Kwan O )

I could fully experience this story. In fact I felt I was part of it. The music of the Snowman portion was very pleasant. I'll probably remember it forever. I'd listen to it once more if I had the chance.
---------- Miss Fung ( Kowloon )

Both works were performed magnificently. Jim's narration in Cantonese made the concert even more vivid and lively. Adults and children alike were able to understand fully the meaning of the music. There was not even one boring moment. In fact I didn't want to leave at the end of the concert.
---------- Miss Liu ( Sha Tin )

The melodies of the music were beautiful. Coupled with the singing and captivating story-telling, the concert brimmed with a festive Christmas spirit, charming all the children and adults present. The use of such an interesting form of expression allowed more children to hear and appreciate classical music. I believe this kind of event would sow seeds in children's hearts and cultivate their love for classical music!
---------- Ms. Chuk ( Sha Tin )

Tonight's performance was especially suitable for children. The story-telling part explained the music-playing part of the programme, thus enabling children to enter the world of music more easily. The singing by the boy and girl sopranos not only offered beautiful music for the audience to enjoy, but also served as encouragement and demonstration to the children: it helped the children understand that beautiful singing was not the special preserve of adults.
---------- Ms. Lee ( Ma On Shan )

This is the first time I attended a concert. It turned out to be better than I had expected. The story was very touching and jolly. All aspects of the concert were well integrated. The concert offered children and adults a happy and meaningful afternoon.
---------- Miss Lam ( Hong Kong Island )

Congratulations to these eight friends, who have each won TWO FREE TICKETS to one of our future concerts. We will be in touch with you soon!

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D. Artist Scoop

Lorenzo Colitto was born in Rome, Italy. As a baroque violinist, he has worked under the direction of almost all the leading baroque artists including Reinhard Goebel, Bernard Labadie, Andrew Parrott, Eduardo Lopez Banzo, Roy Goodman, Andrew Manze and Ton Koopman. For five years he was a member of Fabio Biondi's famed Italian ensemble "Europa Galante" with whom he recorded extensively and performed as one of the leaders and soloists with tours to Europe, Japan, Canada, Australia, New Zealand, South America and the USA. He has also appeared with several other world-renowned baroque ensembles such as Ensemble 415, Balthasar Neumann Ensemble, Concerto Italiano and the Amsterdam Baroque Orchestra and as guest leader with Orquestra Barroca de Sevilla, the New York Collegium and the European Union Baroque Orchestra. Mr. Colitto's recordings can be found on the Virgin, EMI and Harmonia Mundi labels. The recordings of the Monteverdi madrigals book VIII with Concerto Italiano was awarded the "Best Baroque Music Recording" by nine European music magazines in 1999.

Lorenzo Colitto will be the guest concertmaster and soloist in the CCOHK's upcoming VENETIAN DELIGHTS concert.

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E. Music Amuses

Did you know that Vivaldi was born during an earthquake?

On 4th March 1678 Vivaldi made a suitably dramatic entrance into the world. He was born in Venice during an earthquake - almost two months premature - and was in danger of death, so the midwife baptized him immediately. Little did his parents know that their weak and sickly son would one day make an earth-shattering effect on the world of classical music. Today Vivaldi is a superstar, the world's best-selling classical composer.

Yet Vivaldi's most memorable music was not written for the pleasure of a rich monarch but for the advancement of a school of orphaned girls. His rise to fame is a tale worthy of the big screen. He learnt the violin from his father and showed exceptional musical talent at an early age. Born the eldest son of a poor family, he was destined for the priesthood. After being ordained he ceased to give mass due to health problems (possibly asthma). His musical abilities led to his engagement as both violin teacher and in-house composer at the Ospedale della Pieta for almost forty years. Later in his life Vivaldi moved to Vienna to pursue a career in writing opera but died as a pauper in an unmarked grave. Both his name and his music lay forgotten in libraries for well over two hundred years. Some of his music scores came into the possession of monks in northern Italy who sold them to raise mu ch needed cash for the restoration of their monastery. It is possible that many more works by Vivaldi are waiting somewhere to be rediscovered!

Some of Vivaldi's most dazzling concertos will be featured in the CCOHK's upcoming VENETIAN DELIGHTS concert.

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F. CD Corner

If you love Baroque music, then these two discs of Vivaldi's works should be in your collection! They also feature our guest artists!!
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Disc 1

Title : La tempesta di mare
Composer : Antonio Vivaldi
Ensemble : Europa Galante
Director and Violinist : Fabio Biondi and other soloists including violinist Lorenzo Colitto

CD No. : Virgin Classics # 45424

Release Date : 27 June 2000

This CD is available at the on-line store Amazon: http://www.amazon.com/

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Disc 2

Title : Virtuoso Recorder Concertos
Composers : Antonio Vivaldi and others
Orchestra : London Vivaldi Orchestra
Soloist : Richard Harvey

Further details of this disc are given at:

http://www.richardharvey.net/discography/vivaldi.html

This CD has received rave reviews from the "Gramophone" magazine. Richard Harvey's recorder playing is described as "breathtaking and exhilarating".

Note : This disc is not available in Hong Kong, but will be available for sale at the CCOHK's upcoming VENETIAN DELIGHTS concert.

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H. Quiz

Answer the quiz and win FREE concert tickets to our VENETIAN DELIGHTS concert.

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Question 1
Who premiered the majority of Vivaldi's works?

Question 2
Name the guest concertmaster who will be performing with the CCOHK in its upcoming VENETIAN DELIGHTS concert.

(For answers to these questions please check our website: http://www.ccohk.com )

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Send your answers by email to maryanne@ccohk.com before NOON on 7 January 2004 (Wednesday) together with your name, telephone number and postal address.

The first TWO persons to submit the correct answers to all the questions together with his/her name, telephone number and postal address will win TWO FREE TICKETS to our VENETIAN DELIGHTS concert on 15 January 2004 (Thursday).

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We hope you have enjoyed this newsletter. Do feel free to forward this newsletter to others so that they can join in the fun and win free concert tickets too!

The editor of CITY RHYTHM is Mary Anne Pun.

If you have any questions, please e-mail her at maryanne@ccohk.com

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