CITY RHYTHM is the newsletter of the City Chamber Orchestra of Hong Kong (CCOHK) sent to Friends of the orchestra.

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Dear Friends of the CCOHK,
We are pleased to launch the THIRD issue of CITY RHYTHM.

Contents of This Issue

A. Coming Events
In September, four Russian prodigies perform with the CCOHK.

B. Spotlight
Interview with the Concertmaster of the CCOHK, Hong-ying Ho.

C. Sounding Board
Audience feedback from our June concert with Roger Woodward.

D. Director's Notes
A message from the Founder and Artistic Director of CCOHK, Leanne Nicholls, about the orchestra's coming 2002/2003 season and what to expect.

E. Artist Scoop
Extra snippets of our artists. Artist featured in this issue: Richard Harvey.

F. Music Amuses
Have you ever wondered why balalaikas are triangular?

G. CD Corner
Recommended CDs

H. Quiz
Answer the quiz and win FREE concert tickets


Enjoy the newsletter now !

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A. Coming Events

Don't miss our coming concert which features four Russian prodigies.

Performing in Hong Kong for the first time, all four soloists are child prodigies especially chosen by the Vladimir Spivakov International Foundation to represent the next generation of great Russian artists.

Details

Spivakov Russian Prodigies in Concert
Date : 12 September (Thursday) 2002
Time : 8:00 p.m.
Venue : City Hall Theatre

Artists

Pavel Terebilenko ----- Balalaika
Oleg Yatsyna ----- Violin
Zarema Bekirova ----- Flute
Stanislav Christenko ----- Piano
Philip Walsh ----- Conductor

Programme
Vivaldi : Concerto for Balalaika in A minor, RV 356
Haydn : Concerto for Violin in G major
Mozart : Concerto for Flute in D major, K.314
Mozart : Concerto for Piano No. 14 in E-flat major, K.449

Please note that this concert is also a charity event with net proceeds going to Po Leung Kuk. Special charity tickets @ $800 are available from the CCOHK: please call Tel. No. : 28572402. Donors buying these special charity tickets will have their names acknowledged in the house programme. For more information please email us at: ccohk@yahoo.com

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B. Spotlight

Interview with the Concertmaster of the CCOHK, Hong-ying Ho.

Where are you from and how long have you been in Hong Kong?
I am from Guangzhou, China, and have been living in Hong Kong, on and off, for about 7 years.

What do you enjoy most about playing in the CCOHK?
The friendliness among players.

Which CCOHK guest artists have made the biggest impression on you?
The violinist Rainer Honeck, who is the concertmaster of the Vienna Philharmonic Orchestra, and the conductor Kian Pin Hiu.

Which CCOHK concert has been the most memorable for you?
The concert with Haydn's "Farewell" symphony. The music and the candlelight setting was unique!

You were one of the child prodigies featured in the documentary "From Mao to Mozart" with Isaac Stern. What do you remember most about your association with Isaac Stern?
His devotion to music (which was evident from the speeches he gave during classes) and his mastery of the violin. Also his personality: he was very warm towards young people, and very much down-to-earth when dealing with problems in both music and business.

Tell us something about your childhood experience of studying the violin in China. What sacrifices did you have to make when you were chosen to study in the Beijing Central Conservatory at the age of 11?
My father was against me studying music in general. Nonetheless, my mother encouraged me to take violin lessons because, in those days, China was engulfed by the Cultural Revolution and students studying music could avoid going to villages and farming in the fields after graduating from high school. At that time, the view of Mao (Editor's note: "Mao" refers to "Mao Tse-tung", the leader of China from 1949-1976) was that all city-dwellers and intellectuals should be re-educated, and that they should learn from peasants, workers and soldiers. Fortunately the Cultural Revolution ended when I was ten. Subsequently I had the opportunity to audition for the Central Conservatory in Beijing. Some three hundred violinists from my hometown Guangzhou auditioned, and I was one of two accepted by the Conservatory.

Becoming a "professional" violinist at the age of 11 meant that I had to give up my normal school education and children's play. Being an outstanding student at that time, I was always chosen to represent the conservatory in performances and competitions. Now, when I look back on those days, I somewhat regret that I didn't have the opportunity to study a variety of subjects such as geometry, physics, etc. like normal kids do. I also missed family life, as I was separated from my family at an early age.

What do you remember most about your teacher at the Juilliard School of Music, Dorothy Delay? Who were some of the other top violinists studying with her at the same time as you?
Ms. Delay always looked beautiful and kind, and spoke simply and wisely. She gave me lots of freedom in interpretation - in fact too much for me to handle at the time. However I believe that such freedom is very typical of American teachers. Violinists studying with her at the time whom I have associated with were Kyoko Takezawa, Midori, Gil Shaham and Sarah Chang.

Name one of the most important milestones in your music career.
The opportunity to hear Milstein and Perlman live, and to attend a performance of Verdi's opera "Otello" in London at the first Menuhin Violin Competition in 1983. That was my first trip abroad, and I had the chance to hear "genuine" westerners performing western music in a "proper" environment. Such an eye-opening experience was very nourishing for a young musician.

What message do you have for our friends?
Needless to say, communicating with you through music is my pleasure. In addition, I'd love to get to know you and chat with you. So do come backstage to meet me after our concerts, or send me an email at: ingnid@netvigator.com anytime. I am just as interested in your life, work, hobbies, etc. as you are in mine.

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The CCOHK would like to congratulate Hong-ying on the birth of her beautiful baby girl, Dorothy. In case you were wondering, this is the reason why you haven't seen Hong-ying playing at our recent events!!

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C. Sounding Board

Friends who attend our concerts and are successful in having their comments published will win 2 FREE tickets to one of our future events.

In this issue we are pleased to share with you the following COMMENTS FROM OUR AUDIENCE MEMBERS who attended our "Roger Woodward Plays Bach and Beethoven" concert on 28 June 2002:

"A professional performance. The orchestral members were totally immersed in the music."
---------- Mr. Yu (Kowloon City)

" A relaxed and intimate atmosphere. Excellent programme and soloist. A most enjoyable evening."
---------- Mr. Wheatley (Repulse Bay)

"Very outstanding. All the performers were extremely committed."
---------- Ms. Wong (Kowloon)

"The performance of the whole orchestra was fantastic. Roger Woodward gave a competent and splendid performance."
---------- Mr. Law (Lam Tin)

Congratulations to these FOUR friends, who have each won 2 FREE TICKETS to one of our future concerts. We will be in touch with you soon!

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D. Director's Notes

Dear Friends,

Over the past three years I've somehow managed to avoid those standard "message from the director" letters. Trying to keep a new orchestra afloat almost single-handedly with a budget of over a million HK dollars per year has been an overwhelming task at times. There hasn't been much choice but to get on with the work, not to mention the tedious hours spent making reeds (the untold joys of playing the oboe!). But another season has indeed rolled by, and before I am consumed by future events (which I will also mention later in this letter), I will, if I may, take a moment to reflect upon the past year and to thank some very special people who have made a difference.

I guess the past 2001/2002 season could be best described as a kind of musical journey from Bologna to Vienna, with a brief (but enormously fun) detour to Ireland!! We have been treated to harp concertos with Czech harpist Katerina Englichova, piano concertos with the famed Roger Woodward and Richard Harvey surely did surprise us all when he started playing panpipes and mandolin in addition to all those whistles! I think many of us were "transported" elsewhere too during that beautiful moment in January when the CCOHK strings, together with organist Peter Yue, played Albinoni's Adagio in a candlelit filled St. John's Cathedral.

Finding sponsorship for our concerts has also been a kind of journey. Along the way I have had the privilege of meeting some wonderful people in the business community who have shown a genuine interest in local music making. I would like to take this opportunity to extend my sincere thanks to the following companies and organizations who have supported us during the 2001/2002 season: RSM Nelson Wheeler Corporate Advisory Services Ltd, YOHIFI.COM.LIMITED, Lufthansa Airlines, Hotel Intercontinental Hong Kong, Qantas Airways Limited, the Consulate General of Canada, the Italian Chamber of Commerce in Hong Kong, the St. Patrick's Society of Hong Kong, the HKADC and the LCSD. My list would not be complete without a big "thank you" to those "unsung heroes" who have worked hard behind the scenes. Thanks to A-Fat, our cheery and hard-working Stage Manager (needless to say, your smoke machine at the Irish concert was the talk of the town!), to Joanna (what would we have done without you setting up all those candles at the Baroque By Candlelight concert?!), and to Mary Anne, Mary, Josephine, Mable and Lori, the wonderful ladies who work at the front of house selling CDs and so on (you are all stunning!).

I would also like to thank YOU - our audience - for your comments and feedback over the past season. Many of you have been so kind to send us e-mails, letters and questionnaires. Knowing that there is an audience out there supporting our activities is a tremendous encouragement to us.

Last (but certainly not least), I would like to express my admiration and thanks to Mary Anne Pun, who is the editor of this newsletter. She has worked tirelessly for the CCOHK since its inception in more ways than one, and her enthusiasm continues to be a great inspiration to me. This E-Newsletter was her own wonderful idea and, on behalf of everyone at the CCOHK and all our friends, I would like to congratulate her on another fabulous job well done!

As Dember 2002 approaches, I find it hard to believe that we are about to embark on our FOURTH season! There will be some exciting developments taking place for the CCOHK, including the appointment of an advisory board (details to be posted in our next issue of this newsletter). Equally exciting is the fabulous line-up of guest artists and repertoire we have in store for you. Here's a quick insight into what is coming up:

5 & 6 December 2002

Christmas Concert with the Swedish Voices Chamber Choir. They will bring their St. Lucia concert tradition to Hong Kong, singing with candles on their heads! Proceeds to the Sunbeam Children's Foundation.

29 January 2003

Diana Yukawa, the sensational 16-year old Japanese/British violinist and BMG artist will make her Hong Kong debut with the CCOHK performing works by Saint-Saens.

2 April 2003

Mandolin Magic with Alison Stephens, the UK's leading classical mandolin player. A rare chance to hear those popular Vivaldi mandolin concertos. Conductor Nicholas Routley returns to Hong Kong to conduct this unique programme.

Other events include concerts with Claude Delangle, France's hottest classical saxophonist, and Emma Kirkby, the famous soprano hailed as "The Queen of Early Music".

Please visit our web-site at http://www.ccohk.com/ regularly for the latest details of these exciting concerts. By the way, our web-site has recently been given a face-lift and is now more attractive than ever. Be sure to take a look!

There's a lot to look forward to but, most of all, we look forward to seeing you at our upcoming events, so do keep in touch!!

Best wishes,

Leanne Nicholls
Founder & Artistic Director, CCOHK

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E. Artist Scoop

Multi-talented musician and composer RICHARD HARVEY conducted and performed in a highly successful all-Irish show with the CCOHK in March 2002. His recent project is an exciting one. The shooting of a film named "Luther" is now under way in Germany. The movie is set in the first half of the sixteenth century. Mr. Harvey has been busy writing songs for Luther (Joseph Fiennes) to perform for the film. During his lifetime, Martin Luther was a great and influential musician who may well have changed the course of western music along with his reformation of the church. Representing him musically is a task which Mr. Harvey is handling "respectfully and with care".

Source:

http://www.richardharvey.net/news.html

Plans are underway for Richard Harvey to return to Hong Kong, so watch this space!

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F. Music Amuses

Why are balalaikas triangular?!

All experts seem to agree that the balalaika evolved from the domra, which has a rounded body. So why suddenly a triangle? Here are three possible theories:

1. The balalaika's body was made as a straight-side triangle for simpler construction since it is harder to bend curved sides.

2. In Nikolai Gogol's unfinished novel "Dead Souls" (Editor's Note: Gogol was a historian as well as a writer), it is stated that the balalaika was originally a chordophone that a peasant would make out of a pumpkin. If you quarter a pumpkin, you are left with the shape of a balalaika.

3. The triangular shape has been said by some to represent the Holy Trinity.

Source:
http://www.home.earthlink.net/~minermusic/balalaika.htm

In our September concert, you will have the rare opportunity to see and hear this unique instrument. Although the balalaika has its roots in Russian folk music, in recent years it has been elevated to the status of a classical instrument with an intricate and virtuosic repertoire written for it. Our 18-year-old balalaika soloist from the Vladimir Spivakov International Foundation (reported to be absolutely brilliant!) will be performing a transcription of Vivaldi's violin concerto in A minor with the CCOHK. Don't miss this Hong Kong first!

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F. CD Corner

If you enjoy Bach's keyboard concertos, then these two excellent CD recordings are definitely recommended:

Bach : Keyboard Concertos Nos. 1, 2 & 4
Piano/Conductor : Murray Perahia
Ensemble : Academy of St. Martin in the Fields
Sony Classical SK 89245

Bach : Keyboard Concertos Nos. 3, 5, 6 & 7
Piano/Conductor : Murray Perahia
Ensemble : Academy of St. Martin in the Fields
Sony Classical SK 89690

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G. Quiz

Answer the quiz and win FREE concert tickets

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On 12th September the CCOHK will feature the talents of four child prodigies from the Vladimir Spivakov International Foundation in Russia. Spivakov, a world-renowned musician and founder of the Moscow Virtuosi, performed as soloist with the Hong Kong Philharmonic Orchestra in 2001. What instrument does he play?

( For answers to these questions please check our website: http://www.ccohk.com/ )

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Send your answers to us by email maryanne@ccohk.com on or before NOON on 21 August 2002 (Wednesday) together with your name and postal address.

The first person to submit the correct answer together with his/her name, telephone number and postal address will win 2 FREE tickets to our "Spivakov Russian Prodigies in Concert" on 12 September 2002.

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We hope you have enjoyed this newsletter. Do forward this to all your music-loving friends so that they can join in the fun and win free concert tickets too.

The editor of CITY RHYTHM is Mary Anne Pun.

If you have any questions, please e-mail her at maryanne@ccohk.com